How effective is the combination of your main product and ancillary tasks?

finished film review (double page spread)

Here is my finished film review, I am really pleased with it! I made a number of changes during the production process because I found that having the background image fully visible made it difficult to both view the text and also to find a text colour that was visible on all areas. For this reason, I changed the hue and exposure to tone down the image and to give it more of a washed-out effect. This meant that I could use simple black text on top (I actually layered it twice to make it more visible) and the orange type was also clear. I decided to put my blog site on the bottom trimming because I found that a lot of magazines either had links to the magazine's site or the film's individual site. It also provides a nice 'link' (excuse the pun) to my production company - Juxtaposed Productions.
When creating my review, I found that a number of people asked me why I rated my film as '4 stars', not because they thought it was too high but because they thought it should be rated '5 stars'. The reasoning behind this was because I didn't want to come across as pretentious and also, '5 star' ratings are fairly 'rare' so to speak and for a film to be of such a good quality, I feel as though it should be perfect. 

dvd cover DATED24THFEBRUARY

A few weeks ago, I decided to send off my ancillary tasks and DVD cover to a professional printing firm in order to gain multiple hard-copies as this would be the case for real media texts. The three pieces arrived quickly and I was really happy with the quality, aside from my film poster being slightly under exposed. I was incredibly impressed with the quality of my review and DVD cover J yay.

When designing my DVD cover, I found that the most difficult part was finding images that I hadn’t already used for my ancillary tasks. This was difficult because being a short film, there weren’t many production photos or storylines that I could exploit.

I researched into a lot of DVD covers to find what elements were the most successful, examples that I looked at were the Toy Story trilogy, a number of Tim Burton films and other age appropriate films of similar genres.

I decided to include a trio of images and borders that I also went on to use in my film review, because the colours form a good colour scheme for my film. J

Certain factors that I spent a long time on were the duplication of sand, the font of the text on the back and text itself. I deliberated for a long time about the font because I wasn't particularly happy with it yet I discovered that the font used is commonly used on the back of DVD covers; this was also the case with my film review, however, upon receiving my hard-copies, I love the way that they look! 

first draft of film review

As our famous old friend Shakespeare wrote in ‘A Midsummer Nights Dream’ way back in 1598: “Ay me! for aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth; But either it was different in blood—“, the challenges new lovers face are as common today as ever before. This is certainly the case for Oscar and Quin, who feature in The Oscar Chronicles, created by first-time British director, Nicole O’Malley.

Oscar & Quin, a four minute stop-motion animated short film follows the story of Oscar, a furry blue character, destined for a gloomy life in a landfill site. Within seconds of the film beginning, we’re thrown into the turmoil of discarding outgrown toys and thrown in the literal sense into the rubbish bin. All is not lost when Oscar finds true love with Quin, a broken mannequin. Together they defy the odds and prove that hope is not lost but when faced with a life-threatening situation, their future becomes compromised.

Created on a shoestring budget, O’Malley describes her reasoning behind combining stop-motion and live action in The Oscar Chronicles “when intertwined with live action, stop-motion brings a timeless quality in a way that no other medium provides”.  

There’s something gratifying about seeing the animation process in action, the giving of life to inanimate objects, be they hand-drawn images, computer-generated models or articulated puppets. But there’s something particularly special about stop-motion animation. It’s not the process itself, which is painstakingly laborious, but what goes on behind the scenes.

Set in a rural Norfolk village in contemporary England, it’s a quirky tale of optimism and romance that compels and captivates the audience into the first instalment of The Oscar Chronicles.

RELEASED February 28

DIRECTOR Nicole O’Malley

RUNNING TIME 4 mins.

designing a film magazine insert

Prior to designing, writing and creating my film magazine review, I researched into existing film magazines and the kind of articles that they include.

• Empire Magazine is a British film magazine published on a monthly basis by Bauer Consumer Mediam, first published in July 1989. It is the biggest selling film magazine in Britain and is also sold in America, Australia, Turkey, Russia and Portugal. In terms of coverage and approach, Empire is very popular and takes on a more 'irreverent' and less 'serious' approachre, like Sight & Sound. Empire caters for a wide audience as it reviews not only mainstream films, but also arthouse.
• Similar to Empire, Sight & Sound is published on a monthly basis in Britain by the British Film Institute (BFI). It was initially published quarterly when it began in 1932, until the early 1990s when it merged with the Monthly Film Bulletin, another BFI publication. Sight & Sound reviews all films released during the month - both arthouse and mainstrean feature films.
• Total Film is British film magazine published by Future Publishing every four weeks, 13 times a year. Its original launch was in 1997 and offers cinema, DVD and Blu-ray news, reviews and features. 'Each month, Total Film provides a range of features, from spotlight interviews with actors and directors, to making of and on-set pieces for new and future releases. Each issue always includes the Total Film Interview, which is a six-page in-depth chat with an actor or director, along with a critique of their body of work.'

When creating my film review, I constantly kept in the back of my mind that my film was a short and so if it were to be reviewed in a magazine then it would have to be a 'special occasion'. This was why I decided to make my insert a 'Spotlight' and so it was enabling the reader to witness, read about and potentially watch a short film. Empire Magazine don't really tend to do this kind of thing so initially this cast doubt in my mind, however, Total Film really encouraged me to do it because they often provide 'spotlight interviews' :).

magazines

On a magazine hype...

 Over the past few months, I've been collating Empire and Total Film magazines, not only to fuel my new-found obsession but also to gain a wide and varying understanding of the different styles adopted for writing and designing film reviews. Whilst trawling through the magazines numerous times and re-reading articles, I found a number of articles/reviews/designs which I particularly liked from different aspects. The Skyfall article from the Summer 2012 issue of Total Film features text laid on the right-hand page, of the double page spread, on top of an image of Daniel Craig as James Bond and his signature Aston Martin DB5 car. I really like the way that articles look when the text is placed directly on top of a background image rather than on a plain white background/border. This was the first inspiration for my magazine. :)
The Empire review on Wreck-It-Ralph featured a rather 'kooky' section which said things which referred to video games and so I drew inspiration from this when I designe my film review 'The Oscar Chronicles: Oscar & Quin'. 
Frankenweenie and Paranorman were also featured alongside each other in comparing the makings of the films, I really like the production photos and so I decided to include photos from on set rather than images just from the film.